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“Have more than thou showest; Speak less than thou knowest.”William Shakespeare
Dissertation Titles
Dissertations published by doctoral awardees in English Language and Literature have addressed an immense variety of topics, ranging widely in history, geography, genre, and method.
Doctoral students in English at Cornell typically begin work on their dissertations after their third year in the program, following completion of their Advance-to-candidacy exam. Students draw on a corresponding range of faculty expertise both within and outside of English and their special committees frequently include faculty from multiple departments.
The following is a list of published doctoral dissertations from the last 5 years, in order of year published, including the alumnus’ and their special committee chair’s name.
Published Doctoral Dissertations 2004-2008
| Alumnus |
Title of Dissertation |
Chair |
| 2008 |
| Jonathan Pickett |
Finnegans Wake: The Agency of the Letter in the Conscious |
Jonathan Culler |
| Rose Ellen Lessy |
“This Mysterious Miasma”: Enviornmental Risk, Edith Wharton, and the Literature of Bad Air |
Jonathan Culler |
| Ryan Canlas |
The Constellational Diaspora: Filipino Literature and Late Twentieth Century Imperialism |
Shelley Wong |
| Joshua Corey |
The American Avant-Pastoral: Ezra Pound, Louis Zukofsky, Ronald Johnson |
Roger Gilbert |
| Susan Hall |
Seduction and Servitude: The Erotics of Women’s Captivity Narratives |
Shirley Samuels |
| Karen Anderson |
Classifying Life: Metaphor, Popular Biology, and Social Categorization in Emily Dickinson, Anne Spencer, Marianne Moore, and Lorine Niedecker |
Roger Gilbert |
| Jonah Corne |
Endangered Zones: Books, Buildings, anda Modernity |
Doug Mao |
| Ariana Vigil |
Art in a Time of War: U.S. Latina/o Cultural Production and the Central American Revolutions |
Mary Pat Brady |
| Caetlin Benson-Allott |
Imperio-Video: Motion Pictures, Spectatorship, and the Politics of Technology |
Ellis Hanson |
| Janice Ho |
Liberal Englishness, Alterity, and the Twentieth-Century British Novel |
Walter Cohen |
| Ramesh Mallipeddi |
The Imaginary African: The Politics of Slavery in Eighteenth-Century England |
Laura Brown |
| Misty Urban |
Monstrous Women in Middle English Romance |
Andy Galloway |
| 2007 |
| Victoria Chevalier |
Decolonizing mimesis in the works of Jessie Fauset, David Bradley and Nelly Rosario |
Hortense Spillers |
| Sarah Ferguson-Wagstaffe |
“So I Sung the Same Again”: Reading Revision in the Nineteenth-Century Long Poem |
A. Reeve Parker |
| Hyowon Kim |
Adopted colors: Domesticity and foreign nationalism in Elizabeth Barrett Browning and George Eliot |
James E. Adams |
| Michael Garcia |
Narratives of the Ethnic Self in American Literature: Richard Wright’s Black Boy and Richard Rodriguez’s Hunger of Memory, Days of Obligation, and Brown. |
Shirley Samuels |
| Kevin Lamb |
Impersonality and the Modernist Art of Critique |
Molly Hite |
| Andrea Rehn |
White Rajas: Chairsma and Colonial Sovereignty in Victorian Literature |
James E. Adams |
| Hilary Emmett |
“Passion More Than Fraternal”: Towards a Poetics and Politics of Sisterhood in the American Novel 1798-1987 |
Hortense Spillers |
| Michael Klotz |
Anxious Domesticity in the Victorian Novel: Interiority and the Home |
Harry Shaw |
| 2006 |
| Nadine Attewell |
Strange Inheritors: Reproduction, History, and the Nation Between the Two World Wars |
Molly Hite |
| Wyatt Bonikowski |
Traces of War: Shell shock, death drive, and narrative after the first world war |
Molly Hite |
| Richard Juang |
Deep Waters, Unknown Shores: Eighteenth-Century Literature and the Transatlantic Domain |
Laura Brown |
| Kimberly Snyder Manganelli |
The Tragic Mulatta and the Tragic Muse: Erotic Spectables of Race |
James E. Adams |
| David Rando |
Make it News!: Representing Experience in Twentieth-century News and Literature |
Molly Hite |
| Alice TePunga Somerville |
Nau te rourou, Nau te rakau: the Oceanic, Indigenous, Postcolonial and New Zealand comparitive contexts of Maori writing in English |
Biodun Jeyifo |
| Robin Sowards |
The Metaphysics of Syntax in Nineteenth Century Lyric |
Jonathan D. Culler |
| Danielle St. Hilaire |
Satan’s Poetry: Fallen Art from Homer to Spenser in Paradise Lost |
Winthrop Wetherbee |
| Pauls Toutonghi |
A World Without Maps: Post-National, English-Language Literature in the Late Twentieth Century |
Daniel R. Schwarz |
| 2005 |
| Akinwumi Adesokani |
Worlds That Flourish: Postnational Asethetics in west African Videofilms, African Cinema, and Black Diasporic Writings |
Biodun Jeyifo |
| Zubair Amir |
“Usurpations and other Scandals”: Gossip and Social Climbing in the Victorian Novel |
James E. Adams |
| Dwight Codr |
A Store Yet Untouched: Speculative Ideologies in Eighteenth-century English Literature |
Neil Saccamano |
| Nicholas Davis |
The Desiring-Image: Gilles Deleuze, Film Theory, and Contemporary Queer Cinema |
Ellis Hanson |
| Esther Hu |
Christina Rossetti’s Devotional Poetics: The Tractarian Mode |
Dorothy Mermin |
| Stephanie Li |
Resistance through the body: power, representation, and the enslaved woman |
Shirley Samuels |
| Ernesto Martinez |
Queers of Color and the Ethics of Social Literacy |
Satya Mohanty |
| Annette Portillo |
Outlaw Genres: Reconceptualizing Life Stories by Chicanas and Native American Women |
Mary Pat Brady |
| Jacqueline Stuhmiller |
The Hunt in Romance and the Hunt as Romance |
Winthrop Wetherbee |
| Katherine Terrell |
Translating the Past, Scripting the Nation: Poetry, History, and Authority in Late Medieval Scotland |
Winthrop Wetherbee |
| Mimi Yiu |
Building Platforms: Staging the Architecture of Early Modern Subjectivity |
Timothy Murray |
| 2004 |
| Lisa Brooks |
The Common Pot: Indigenous Writing and the Reconstruction of Native Space in the Northeast |
Shelley Wong |
| Joe Campana |
Suffering Romance: Edmund Spenser and the Matter of Poetry |
Gordon Teskey |
| Zahid Chaudhary |
Frames of Violence: British Photography in Colonial India |
Biodun Jeyifo |
| Kellie Dawson |
Portions of Heaven and Hell: Sympathy and Suffering in Lolita |
Paul Sawyer |
| Andrea Gazzaniga |
This Close Room: Intimacy and Enclosure in Victorian Lyric Sequences |
Debra Fried |
| Nicole Guidotti-Hernandez |
Made by Violence: Chicana Narrative and the Remaking of the World, 1851-1996 |
Laura Donaldson |
| Paul Hecht |
Studies in The Shepheardes Calender |
Gordon Teskey |
| Daniel Kim |
“Ann Aggressive Concept of the Popular”: Avant-Garde Poetics and the Multicultural U.S. Left |
Biodun Jeyifo |
| T. Roscoe Leasure |
Belial, Belialism, and the Diabolic Power of Rhetoric from Cynewulf to Milton |
Andrew Galloway |
| Sunjay Sharma |
Abyssal Grounds: In Search of the Subject of the Sublime in Wordsworth and Kant |
Jonathan D. Culler |
| Sara Wasson |
Using a Shattered City: Fantasies of Wartime London, 1939-1951 |
Molly Hite |
| Meg Wesling |
States of Culture: Pedagogy and the Making of American Citizens |
Shelley Wong |
| Kay Yandell |
Divine Telegraphy: How Telecommunication Shaped Gender, Ethnicity, and Nation in Nineteenth-Century American Literature |
Laura Donaldson |