Graduate Faculty 
 
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The following is a list of the 2007-08 Graduate Faculty members in the Field of Music. The specialities listed are illustrative rather than exhaustive; most faculty members are available to direct work in areas other than those cited. 

Malcolm Bilson (D.M.A., University of Illinois), Frederic J. Whiton Professor of Music, Emeritus: fortepiano, performance practice, chamber music  

Xak Bjerken (D.M.A., Peabody Conservatory of Music), Associate Professor: piano performance 

Bonna J. Boettcher (D.M.A., University of Iowa), Adjunct Professor: fictional representations of music and musicians, copyright and music 

Kevin Ernste (Ph.D., Eastman School of Music), Assistant Professor: composition, electronic music 

Arthur Groos (Ph.D., Cornell University), Avalon Foundation Professor in the Humanities: opera 

Rebecca Harris-Warrick (D.M.A., Stanford University), Professor of Music: opera, Baroque music, performance practice, early dance 

Martin Hatch (Ph.D., Cornell University), Associate Professor of Music: Asian music, gamelan, popular music, jazz 

Cynthia Johnston Turner (D.M.A., Eastman School of Music), Assistant Professor of Music: conducting, music education, new music 

Judith Kellock (M.M., Boston University), Associate Professor of Music: voice, vocal performance

Chris Younghoon Kim (M.M., University of Michigan), Assistant Professor of Music: conducting, new music 

Carol Krumhansl (Ph.D., Stanford University), Professor of Psychology: music perception and cognition

Judith Peraino (Ph.D., University of California, Berkely), Associate Professor of Music: medieval music, rock music, music and queer theory 

Steven Pond (Ph.D., University of California, Berkeley), Associate Professor of Music: African-American musics, popular musics, jazz historiography, fusion jazz

Annette Richards (Ph.D., Stanford University), Professor of Music: seventeenth- and eighteenth-century music, aesthetics and criticism, performance, organ and early keyboards (University Organist) 

David Rosen (Ph.D., University of California, Berkeley), Professor of Music, Emeritus: opera, eighteenth- and nineteenth-century music 

Roberto Sierra (M.M., University of London), Old Dominion Foundation Professor in the Humanities: composition, theory, twentieth-century music 

Steven Stucky (D.M.A., Cornell University), Given Foundation Professor of Composition: composition, theory and analysis, twentieth-century music 

Kristin Taavola (Ph.D., Eastman School of Music), Assistant Professor of Music: theory, 20th-century and non-western art musics

Scott Tucker (M.M., New England Conservatory of Music), Associate Professor of Music: conducting

James Webster (Ph.D., Princeton University), Goldwin Smith Professor of Music: eighteenth- and nineteenth-century music, theory and analysis of tonal music  

David Yearsley (Ph.D., Stanford University), Associate Professor of Music: seventeenth- and eighteenth-century music, early keyboards 

Neal Zaslaw (Ph.D., Columbia University), Herbert Gussman Professor of Music: seventeenth- and eighteenth-century music, performance practice, history of the orchestra