Arts & Sciences

Newsletter
Fall 1998 Vol. 20 No. 1


Robert Morgan

Mowing
A summerlong ritual for my father.
Half-dancing and half-rowing into a weedbank,
he gripped the handles of the snath
and swung, beginning high and back, and followed
through, running the blade true
to the ground and then up to winnow
away the cut ends. Snakes and fieldmice
and my mother's flowers got beheaded
in his rage to mow, and pokewwes, briars
around the pasture, were subdued to his measure.
He even cut the shoulders of the public road,
exposing beer cans and bags of trash,
and once each season cleaned off the church yard
and cemetery acre. mowing met his first requirements:
solitude and no monetary gain. As he swung
he must have seen the heads of neighbors,
deacons, wife and son, topple,
and hte stubble bleed, for their intrusion
on his long reverie. That blade,
a wide wing of metal, tempered in Czechoslovakia,
soared around and back, making its deadly time
regular as a pendulum, touching its flame
with a hiss to the green stampede.
But there was no end, except frost, to the siege
of tender growth. Suddenly he'd stop
and holding the scythe upright, take the stone
from his hip pocket and whet the blade brilliant,
spit on his hands and return to the lone war.
I see him there now, wading in rampant vines,
turning quick as a matador in overalls and wrecked hat,
reaching back with his instrument to let
the next wave of summer plunge past and wilt.


Honey
Only calmness will reassure
the bees to let you rob their hoard.
Any sweat of fear provokes them.
Approach with confidence, and from
the side, not shading their entrance.
And hush smoke gently from the spout
of the pot of rags, for sparks will
anger them. If you go near bees
every day they will know you.
and never jerk or turn so quick
you excite them. If weeds are trimmed
around the hive they have access
and feel free. When they taste your smoke
they fill themselves with honey and
are laden and lazy as you
lift the lid to let in daylight.
No bee full of sweetness wants to
sting. Resist greed. With the top off
you touch the fat gold frames, each cell
a hex perfect as a snowflake,
a sealed relic of sun and time
and roots of many acres fixed
in crystal-tight arrays, in rows
and lattices of sweeter latin
from scattered prose of meadow, woods.


Wild Peavines
I have never understood how
the mountains when first seen by nunters
and traders and settlers were covered
with peavines. How could every cove
and clearing, old field, every
opening in teh woods and even
understories of deep woods
be laced with vines and blossoms in
June? They say the flowers were so thick
the fumes were smothering. They tell
of shining fogs of bees above
the srawling mess and every bush
and sapling tangled with tender
curls and tresses. I don't see how
it was possible for wild peas
to take the woods in shade and deep
hollows and spread over cliffs in
hanging gardens and choke out
other flowers. It's hard to believe the creek
banks and high ledges were that bright.
But hardest of all is to see
how such profusion, such overwhelming
lushness and lavish could vanish,
so completely disappear that
you must look through several valleys
to find a sprig or strand of wild
peavine curling on a weedstalk
like some word form a lost language
once flourishing on every tongue.


Forthcoming from LSU Press in 1999-2000 in a collection calledTopsoil Road: New Poems,by Robert Morgan.


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This article is Copyright © 1998 Robert Morgan. All Rights Reserved.