Department of Russian
Literature Courses 2009-2010
Russian Literature Faculty: Patricia Carden: pjc9 (on leave spring ‘10);
Nancy Pollak: np27; Savely Senderovich: ss51 (on leave fall ‘09); Gavriel Shapiro: gs33 (on leave fall’09).
Department
Chair: N. Pollak
Director
of Undergraduate Studies: P. Carden
(fall), S. Senderovich (spring)
The Russian Department Office is located in 226
Morrill Hall, phone: 255-8350, fax: 255-2044, e-mail: RussianDept@cornell.edu. For updated information you may
consult our web site at: http://www.arts.cornell.edu/russian
Satisfying the Foreign Language
Requirement under Option 1:
Students who qualify
may satisfy the language requirement by taking RUSSL 2209 in the fall term or RUSSL
2212 in the spring term. Other RUSSL courses that are taught in Russian may
also be used when appropriate.
* Note: Courses
marked with an asterisk (*) require a suitable knowledge of the Russian
language.
*2209
*2212
3335 Gogol. 4 credits. Spring: TBA. In translation.
G. Shapiro. Selected works of Gogol
are read closely and viewed in relation to his life and to the literature of
his time.
3369
Dostoevsky. 4 credits. Fall: TR 1:25-2:40. In translation. P. Carden.
Limited to 40 students. Course involves
close reading of novels and short works by Fyodor Dostoevsky. Dostoevsky’s fiction
is in contentious dialogue with the literature and philosophy of the preceding
century and opens out to the literature and philosophy of the following
century. His critique of European culture, his searching examination of the
interior life, and his bold experiments with narrative make his work seminal in
world fiction.
3393
Honors
Essay Tutorial. 8 credits. Fall and spring: hours to be
arranged with instructor. Staff. Must be taken
in two consecutive semesters in senior year.
Credit for the first semester will be awarded upon completion
of second semester. For information,
please see the director of undergraduate studies.
*4409 Russian
Stylistics. 4 Credits. Spring: TBA. S. Senderovich. Also open to graduate students. Prerequisite: proficiency in Russian or
permission of instructor. May be counted toward the 12
credits of Russian literature in the original language for the Russian major.
Going
beyond normative grammar, this course provides an introduction to idiomatic
Russian (morphology, syntax, vocabulary, phraseology) and to colloquial and
written genres. Students develop writing skills through short
assignments.
*4430 Practice in Translation. 4 credits. Spring: TBA. Prerequisite: proficiency in Russian or permission of instructors. N. Pollak. Practical workshop in translation: mostly literary texts (prose and poetry), some scholarly works and documents; mostly Russian to English, some English to Russian; development of literary and linguistic skills.
*4432 Pushkin. 4 credits.
Spring: TBA. Reading in Russian; discussion in English. S. Senderovich. Open to graduate students. Prerequisite:
proficiency in Russian or permission of instructor. This course
may be counted towards the 12 credits of Russian literature in the original
language for the Russian major.
4492 Supervised
*4499 The Avant-garde in Russian Literature and the Arts. 4 Credits. Fall, MWF 10:10-11:00, P. Carden. Prerequisite: proficiency in Russian or permission of instructor. This course may be counted toward the 12 credits of Russian literature in the original language for the Russian major. The first decade of the twentieth century was perhaps the richest period ever in Russian literature and the arts. Beginning with the brilliant experimentation in poetry and prose of Andrei Bely, Blok, Remizov, and others; then continuing with the breakthroughs in painting and sculpture by Malevich, Goncharova, Tatlin, etc. In the second decade, the rambunctious Futurists take over in literature and establish a compact with theatre and the visual arts in which all the art forms break down the barriers to produce a new kind of art. During this period Russian artists in every medium were on the cutting edge of the European art scene. After the Revolution, Russian artists and writers of the avant-garde continued their dominance for a time, including the developing medium of film. We read representative Russian texts by the major authors of the period and investigate developments in the theater and visual arts.
*6611 Supervised
Revised